Josie Morway
Course of Empire
L-R: “Skin Contact,” “The Sugar and Rush,” “Borzoi and the Dream of a Common Tomato,” and “The Bird in Your Heart 1 (Sidewalk Seating)”
“The Silence” (oil and ink on canvas, 48″ x 36”)
OPENING RECEPTION
November 18, 2023 | 7:00 pm – 11:00 pm
ON VIEW
November 18 – December 23, 2023
COREY HELFORD GALLERY
571 S. Anderson St. Los Angeles, CA 90033
Open: Tuesday-Saturday, 12:00 pm – 6:00 pm
(310) 287-2340
On Saturday, November 18th, downtown Los Angeles’ Corey Helford Gallery (CHG) will proudly unveil a new series of works from Boston-based painter and designer Josie Morway, titled Course of Empire, inGallery 2.
A self-taught artist, Morway’s extremely detailed style of oil and ink paintings on canvas combines the influence of Dutch Masters’ techniques, religious icon paintings, and hyper-modern color and design elements, to create paintings that have been described as “votive cave paintings from the distant future.” The wildlife in Morway’s work is portrayed with an intense reverence that escalates to surreality, creating paintings that are both politically charged, ethereally poetic, and darkly comical. The artist’s incredible work explores both the fragility and the fortitude of the natural world, envisioning the sanctity of wildlife and wilderness in the face of human degradation and seeking to challenge the assumptions and projections we bring to our interactions with the wild.
“The Fog of Intention” (oil and ink on canvas, 36″ x 24″)
Morway shares, “Thomas Cole created a series of paintings called The Course of Empire almost 200 years ago, ostensibly as a cry for the protection of nature against industrial encroachments. Over time and through changing political climates, perceptions of the artist and his work have swung wildly; at times he’s been considered a reactionary elitist – an early NIMBY of sorts, defending the interests of his conservative patrons – and at other times he’s been hailed as an effective advocate, not just for nature, but for the people, for workers and immigrants such as himself, against the predations of industrial barons and the commercial elite.”
In echoing Cole’s title for her new series, the artist emphasizes the idea that the meaning of an artist’s work is not static, immediate, or within the artist’s control. Further, she asserts that the impact and import of a historical moment is often illegible to those living in that moment. “I always feel a strong pull towards commentary,” Morway says, “but I want to acknowledge the impossibility of accurately declaring where we are in the arc of our civilization. We’re inevitably hurtling forward without the benefit of our larger, eventual context, and I’m trying to make work that sits with that ambiguity, brings in potent elements and topics without being pedantic.”
Morway’s new work combines her characteristically intense, impeccable detail and realism with areas of mysterious texture and color to echo the jarring sensations of living at this moment in human history. She combines man-made and wild elements, vulnerable species, cultivated botany, urbanist scenes, and hyper-charged weather to reflect dueling elements of hope and trepidation, comfort and menace, and the disorientation of ever-accumulating history.
Morway adds, “The role of art is to offer a vision of the world as it could be, as well as to comment on the historical moment. But when the moment feels unnamable and analysis moot, its role is also to offer something ineffable but resonant, a sensory snapshot of how it feels to live in this time. The spin upon waking, the jungle inside, the source of that flash of light. The seeds in the bank, the cats in the streets. The bird in your heart and the wave at your door.”
Open to the public and free of charge, Course of Empireis set to debut on Saturday, November 18th from 7:00 pm – 11:00 pm in CHG’s Gallery 2, alongside a solo show by Japanese painter Hikari Shimoda, titledQuestions for Living in the World, in the Main Gallery.Both shows will be on view through December 23rd.
Born in Massachusetts, self-taught artist Josie Morway moved over twenty times in as many years before coming back to Boston in 2015 to live and work. Her work has been shown in museums and galleries worldwide (including in London, Australia, and on the streets of Juarez, Mexico, as well as in Los Angeles, Seattle, Portland, Montana, and Massachusetts), in addition to being on display at fairs like SCOPE Art Show at Art Basel in Miami. She’s also worked as a sign painter and muralist, creating large scale works for cities, businesses, and festivals (including POW! WOW! and Sea Walls).
Morway’s work explores both the fragility and the fortitude of the natural world, envisioning the sanctity of wildlife and wilderness in the face of human degradation and seeking to challenge the assumptions and projections we bring to our interactions with the wild. Says Morway of the surreal and unexpected elements to her work; “I think that too often our concern for nature includes a presumption of total understanding, which is just another element of our human tendency to be paternalistic and domineering. It’s too easy to use nature as a metaphor, to mine it for our own inspiration and comfort, to fetishize the parts we find lovely and subjugate what we find strange or ‘brutal.’ I hope to avoid oversimplification, and instead try to enhance the feeling of mystery, to make images that are intricate and uncomfortable, and to remind myself that no matter how carefully I observe and portray the wild I cannot truly know it.”
About Corey Helford Gallery:
Established in 2006 by Jan Corey Helford and her husband, television producer/creator Bruce Helford (The Conners, Lopez vs. Lopez, Anger Management, The Drew Carey Show, and George Lopez), Corey Helford Gallery (CHG) has since evolved into one of the premier galleries of New Contemporary art. Its goal as an institution is to support the growth of artists, from the young and emerging, to the well-known and internationally established. CHG represents a diverse collection of international artists, primarily influenced by today’s pop culture and collectively encompassing style genres such as New Figurative Art, Pop Surrealism, Neo Pop, Graffiti, and Street Art. Located in downtown Los Angeles (571 S. Anderson St. Los Angeles, CA 90033) in a robust 12,000-square-foot building, CHG presents new exhibitions approximately every six weeks. The gallery is open Tuesday through Saturday from 12:00 pm – 6:00 pm. For more info and an upcoming exhibition schedule, visit CoreyHelfordGallery.com and follow on Facebook, Twitter, Instagram, TikTok, and YouTube. For available prints from CHG, visit CHGPrints.com.
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