Bruce Cockburn Showcases His Guitar Technique On New Instrumental Album, CROWING IGNITES, Release Date:Fri.,September 20th, 2019
Legendary Singer-Songwriter Bruce Cockburn showcases his guitar technique on new instrumental album, Crowing Ignites, coming September 20, 2019 on True North Records, supported by 40+ date North American Tour; Releases First Single “Blind Willie”
True North Records announces a September 20 world-wide release date for Crowing Ignites, the new all-instrumental CD from legendary Canadian singer-songwriter Bruce Cockburn. Cockburn also announced his North American tour (dates below) with more shows to be confirmed.
Crowing Ignites was produced, recorded and mixed by Colin Linden, and recorded at the Firehouse in San Francisco. It showcases 11 all-original compositions by Cockburn, who plays acoustic guitar throughout, backed by a stellar cast of sympathetic musicians. Cockburn will support the new disc’s release with a summer/fall tour schedule throughout the United States and Canada.
In 2005, Bruce Cockburn released Speechless,a collection of instrumental tracks that shone the spotlight on the singer-songwriter’s exceptional acoustic guitar playing. The album earned Cockburn a Canadian Folk Music Award for Best Instrumentalist and underscored his stature as one of the world’s premier pickers.
Already, The New York Times had credited Cockburn with having “the hardest-working right thumb in show business,” adding that he “materializes chords and modal filigrees while his thumb provides the music’s pulse and its foundation—at once a deep Celtic drone and the throb of a vigilant conscience.” Acoustic Guitarmagazine was similarly laudatory in citing Cockburn’s guitar prowess, placing him in the prestigious company of legends like Andrés Segovia, Bill Frisell, Django Reinhardt and Mississippi John Hurt.
Now, with the intriguingly titled Crowing Ignites, Cockburn has released another dazzling instrumental album that will further cement his reputation as both an exceptional composer and a picker with few peers. Unlike Speechless, which included mostly previously recorded tracks, the latest album—Cockburn’s 34th—features 11 brand new compositions. Although there’s not a single word spoken or sung, it’s as eloquent and expressive as any of the Canadian Hall of Famer’s lyric-laden albums. As his long-time producer, Colin Linden, puts it, “It’s amazing how much Bruce can say without saying anything.”
The album’s title is a literal translation of the Latin motto, “Accendit Cantu,” featured on the Cockburn family crest. Although a little puzzling, Cockburn liked the feeling it conveyed: “Energetic, blunt, Scottish as can be.” The album’s other nod to Cockburn’s Scottish heritage is heard on “Pibroch: The Wind in the Valley,” in which his guitar’s droning bass strings and melodic grace notes sound eerily like a Highland bagpipe. “I’ve always loved pibroch, or classic bagpipe music,” says Cockburn. “It seems to be in my blood. Makes me want to sip whiskey out of a sea shell on some rocky headland!”
While Cockburn reconnecting with his Gaelic roots is one of Crowing Ignites’ more surprising elements, there’s plenty else that will delight followers of his adventurous pursuits. Says Linden, who’s been a fan of Cockburn’s for 49 years, has produced 10 of his albums and played on the two before that: “Bruce is always trying new things, and I continue to be fascinated by where he goes musically.”
The album is rich in styles from folk and blues to jazz, all genres Cockburn has previously explored. But there are also deepening excursions into what might be called free-form world music. The hypnotic, kalimba-laden “Seven Daggers” and the trance-inducing “Bells of Gethsemane,” full of Tibetan cymbals, chimes and singing bowls, are highly atmospheric dreamscapes that showcase Cockburn’s world of wonders—and his improvisational gifts on both 12-string and baritone guitars. Each track was wholly created in the makeshift studio he and Linden put together in a converted fire station in Cockburn’s San Francisco neighborhood.
Singing bowls, Cockburn explains, are an endless source of fascination to him, dating back to a trip he took to Kathmandu, as seen in the documentary Return to Nepal. There, Cockburn stumbled on a man selling the small inverted bells sometimes used in Buddhist religious practices and became instantly captivated by their vibrational power. “I had no particular attraction to them as meditation tools or anything,” says Cockburn. “I just thought they had a beautiful sound. After buying half a dozen in Kathmandu and more since, he now has a sizeable collection.
Two tracks on Crowing Ignites had their origins elsewhere. “The Groan,” a bluesy piece with guitar, mandolin and some collective handclapping from a group that includes Cockburn’s seven-year-old daughter, Iona, was something Cockburn composed for a Les Stroud documentary about the aftermath of a school shooting and the healing power of nature. And Cockburn wrote the jazz-tinged “Mt. Lefroy Waltz” for the Group of Seven Guitar Project on an instrument inspired by artist Lawren Harris and custom-made by luthier Linda Manzer. It was originally recorded, with cornet player Ron Miles, bassist Roberto Occhipinti and drummer Gary Craig, for Cockburn’s 2017 album Bone on Bone, but not released until now.
Cockburn doesn’t set out with any particular agenda when composing an instrumental. “It’s more about coming up with an interesting piece,” he says. “Who knows what triggers it—the mood of the day or a dream from the night before. Often the pieces are the result of sitting practicing or fooling around on the guitar. When I find something I like, I work it into a full piece.”
“Bardo Rush,” with its urgent, driving rhythm, came after one such dream, while the contemplative “Easter” and the mournful “April in Memphis” were composed on Easter Sunday and Martin Luther Day respectively. “Blind Willie,” named for one of Cockburn’s blues heroes, Blind Willie Johnson, features a fiery guitar and dobro exchange with Linden (Cockburn has previously recorded Johnson’s “Soul of a Man” on Nothing But a Burning Light). And the idea for the sprightly “Sweetness and Light,” featuring some of Cockburn’s best fingerpicking, developed quickly and its title, he says, became immediately obvious.
Meanwhile, “Angels in the Half Light” is steeped in dark and light colors and conveys ominous shades as well as feelings of hopefulness, seemingly touching on both spiritual and political concerns—hallmarks of Cockburn from day one. “It’s hard for me to imagine what people’s response is going to be to these pieces,” he says. “It’s different from songs with lyrics, where you hope listeners will understand, intellectually and emotionally, what you’re trying to convey. With instrumental stuff, that specificity isn’t there and the meaning is up for grabs. But I’m glad if people find a message in the music.”
More than 40 years since he embarked on his singer-songwriter career, Cockburn continues pushing himself to create—and winning accolades in the process. Most recently, the Order of Canada recipient earned a 2018 Juno Award for Contemporary Roots Album of the Year, for
Bone on Bone, received a Lifetime Achievement Award from SOCAN, the Peoples’ Voice Award from Folk Alliance International and was inducted into the Canadian Songwriters Hall of Fame in 2017. Cockburn, who released his memoir, Rumours of Glory, and its similarly titled companion box set the same year, shows no sign of stopping. As his producer-friend Linden says: “Like the great blues players he admires, Bruce just gets better with age.”
BRUCE COCKBURN NORTH AMERICAN TOUR
August 7, 2019 Charles Bailey Theatre Trail BC
August 8, 2019 Key City Theatre Cranbrook BC
August 10, 2019 Edmonton Folk Festival Edmonton AB
September 7, 2019 Sisters Folk Festival Sisters OR
September 20, 2019 City Winery Nashville TN
September 21, 2019 Ferdinand Folk Festival Ferdinand IN
September 23, 2019 Stuart’s Opera House Nelsonville OH
September 24, 2019 John S. Umble Center Goshen IN
September 25, 2019 Covenant Fine Arts Center Grand Rapids MI
September 27, 2019 Old Town School of Folk Music Chicago IL
September 28, 2019 Old Town School of Folk Music Chicago IL
September 29, 2019 Cedar Cultural Center Minneapolis MN
September 30, 2019 Fargo Theater Fargo ND
October 19, 2019 Koerner Hall Toronto ON
October 20, 2019 Centennial Hall London ON
October 21, 2019 FirstOntario Performing Arts Centre St. Catharines ON
October 22, 2019 Grand Theatre Kingston ON
October 24, 2019 Murmrr Theater Brooklyn NY
October 25, 2019 The Egg Albany NY
October 26, 2019 Scottish Rite Auditorium Collingswood NJ
October 27, 2019 The Birchmere Alexandria VA
November 8, 2019 Royal Theatre Victoria BC
November 9, 2019 Chan Centre Vancouver BC
November 10, 2019 Neptune Theater Seattle WA
November 11, 2019 Wilma Theater Missoula MT
November 12, 2019 Visual Arts Collective Garden City ID
November 14, 2019 State Room Salt Lake City UT
November 15, 2019 Avalon Theater Grand Junction CO
November 16, 2019 Henry Strater Theater Durango CO
November 17, 2019 Boulder Theater Boulder CO
November 19, 2019 Musical Instrument Museum Phoenix AZ
November 20, 2019 McCabe’s Guitar Shop Santa Monica CA
November 21, 2019 Freight and Salvage Coffeehouse Berkeley CA
November 22, 2019 Freight and Salvage Coffeehouse Berkeley CA
November 23, 2019 Golden State Theatre Monterey CA
We would like to thank Eric Alper for the press release and artist profile.